This was a game that spread via nonconventional means, from newsgroup posts to shareware kiosks in the local Staples in my case, along with many other cash-poor eight- to ten-year-olds. As a result, there is a preponderance of retrospectives on DOOM, but not many contemporary reviews that are available without a robust archival search. The game was as much a flashpoint for modern gaming when it was released in 1993 as any other game in history, and it arguably influenced the medium for American gamers more than any other.
It’s difficult to find reviews of DOOM that aren’t retrospectives. The following is an excerpt from Story Mode: Video Games and the Interplay Between Consoles and Culture, by Trevor Strunk.
